We explore what happens when a performer presents newspaper articles to a live audience. We look at the ways this liveness changes the articles and also the way the articles change the performer. It’s an examination of how people process information and how this informs our contemporary aural/oral culture. Walter Benjamin says information is something that loses its value once it has been understood – whereas story is something that bears repeating. In this experiment, theatre (which is traditionally an endeavour at repetition) is used to unpack what ‘bears repeating’ from the news.
This project has been developed with help from The Arts Council, The Irish Theatre Institute and Pan Pan Theatre.
Space: Cube, Project Arts Centre Duration: 1hr 20mins Festival Dates: Wed 25 April 2018 Start time: 6.30pm Ticket price: €10/€8 concession
LIVE COLLISION BUNDLE OFFER: SEE ONE HEADLINE SHOW AND ONE WORK IN PROGRESS ON THE SAME NIGHT FOR JUST €22 (€18 CONCESSION).
Another March 13th is in a bundle offer with The Comforter by Stacy Makishi – see both shows in one night for €22.)
Credits:
Co-directors – Richard Walsh and James Moran Cast – Shane Connolly Choreography – Maria Nilsson Waller Music – Brian Walsh Social Media – Noelia Ruiz Developed with – Aine Ní Laoghaire, Eric O’Brien, Cara Christie, Peter Duffy, Jason Gilroy, Sarah Kinlen, Michael Kunze, Geraldine McAlinden.
Bios:
James Moran is a comedian and theatre maker. His performances use pre-prepared text, on stage improvisation and hyper-surreal storytelling to investigate issues of illness, disability and Irish identity.
Richard Walsh is a writer and theatre director. He has been making work since 2010, focusing on experimental modes of practice. His recent work has included ‘George Bush and Children’ (2016) and ‘Newcastlewest’ (2015).